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Building Styles

Renaissance Revival (1870 - 1910)

During the 15th and 16th centuries, in Florence and later in Rome and other centers, the Renaissance Palazzo was born. The palazzo was a three or four storey building with a rusticated ground floor, and regularized understated windows on two increasingly refined upper levels, always finished by an elaborate cornice. The architects believed that architecture was an art form, and they strived for a studied harmony of design. There were no columns or pilasters, but pediments, often alternating curved and triangular, and regularized patterns. The Renaissance also saw the development of a graceful and balanced adaptation of the Greek

styles. The 16th and 17th centuries saw Renaissance architecture translated into French and English equivalents, and it can also be seen in Germany, the Czech Republic and Holland. In Ontario, the Renaissance was revived in commercial buildings, banks, offices, and churches in many urban centers. Most of the Renaissance Revival buildings are designed without columns, and these are called astylar; they follow the palazzo design. Buildings that use a more or less direct translation of Renaissance architecture with columns and pilasters are more ornate, but still elegantly Renaissance.

 

 

 

 

 

 

 

Click Hotpoints for descriptions of terms in both text and images.

Toronto

You would not be surprised to see a church like this anywhere in Italy. The majority of churches built in Ontario before 1950 are Gothic Revival. This one is clearly Classical and is, not surprisingly, Catholic.

The first tier of the church is three times the height of the door. There are grand manner columns, columns of great height, topped with alternating triangular and rounded pediments, in the Renaissance manner. Unlike the Renaissance examples, however, the pediments are broken. The second level has a volute motif used frequently on Jesuits churches. Atop both the first and the second tier pediments there are balustrades, also found in the Renaissance examples. Finally, crowning the building is a copper domed campanile. All the proportions are balanced and refined according to Renaissance principles.

Renaissance Revival Church

Toronto Ontario

Hamilton

The same balance and harmony are found in this Hamilton example. The design is symmetrical with an unadorned façade broken by a large pedimented portico as a main door and two side doors with large cornices. Above the side doors are roundels. The main body of the building has an oversized cornice with large dentils.

In contrast to the simplicity of the main building, the campanile is ornate and spectacular. The first level has a round-headed arch opening with a balustraded balcony flanked by Ionic pilasters. Atop this section is a large, decorated cornice.

The top of the campanile has a four-sided open roundel with ornate molding. An acroterion crowns the roof section which is also resplendent with white ribs and decoration.

Renaissance Revival Storefronts

Hamilton Ontario

Stratford

This is a detail of the upper level of a block of commercial buildings in Stratford. The bays of the building are marked by brackets. The elaborate cornice is not of wood, as it appears, but of cast metal, probably tin. There are dentils and a ************ pattern.

The most outstanding feature, however, are the arches over the windows. The windows on the top row have a semi-circular arch being the intrados with a drop arch above as the extrados. The lower row have a pseudo-three-centered arch as the intrados and a two centered pointed arch as the extrados. Between the intrados and extrados of these arches the design is accentuated by dichromatic brickwork reminiscent of many Italian buildings.

 

Renaissance Revival Office

Stratford Ontario

Simcoe

Similar to the above façade, this corner store block has a cornice produced by decorative brickwork. An architrave and a row of dentils top a series of dentilled corbels. Beneath this is a frieze with a rope and geometric patterns.

The windows are well proportioned and have half-round arches with simple keystones and curving brick voussoirs. The extrados is elevated.

The effect is one of refined and calculated uniformity.

 

Renaissance Revival Storefronts

Simcoe Ontario

Shelbourne

Many Ontario towns have a mixture of Italianate and Renaissance store fronts. This one in Shelbourne is a nice second storey Palladian window with dichromatic brickwork and keystones.

Renaissance Revival Storefronts

Shelbourne Ontario

Simcoe

Also in Simcoe, this pleasant public building has window surrounds similar to those produced by Palladio and his followers in Northern Italy.

The frontispiece is discreet with accentuated dichromatic quoins. The front door is not pronounced, with a half-round lunette and little molding or detailing. On either side of the door are brick pillars reflective of the rustication used on Italian palazzo design. All windows have a "Gibbs Surround" - use of alternating large and small blocks - popular in the north of Italy.

The overall final effect is a very calm, elegant façade.

Renaissance Revival Storefronts

Simcoe Ontario

Stratford

This is a rare example of the Renaissance Revival style being applied to a residence.

The basis of Renaissance design was harmonious proportion. Treatises by Renaissance architects such as Alberti and Palladio defined what was appropriate in proportions and applied them to their buildings. The result was calm grandure with a uniform use of Classical motifs.

In this house we see a semi-circular arch with an ornate reveal and a plain lunette. The door surround is composed of brick in a radiating pattern around the lunette, and two decorative bands on the spring line. The windows reflect the same concern for quiet, balanced detailing. The result is an example of Northern Renaissance design on a sophisticated yet subtle doorway.

Renaissance Doorway

Stratford Ontario

Dundas

Dundas has one of the most impressive pre-1850 buildings in the province. This building, designed by **** and finished in 1848, is made from local limestone with an impressive ashlar finish.

 

 

Dundas

The door on the city hall is a late Renaissance style, verging on Baroque. The pediment is broken in many sections and the center has an urn flanked by a series of stylized roses. The keystone has an interesting agraffe. The fanlight is a large semi-circular radiating design. The pillars and the spandrel design are French.

Dundas

The door on the city hall is a late Renaissance style, verging on Baroque. The pediment is broken in many sections and the center has an urn flanked by a series of stylized roses. The keystone has an interesting agraffe. The fanlight is a large semi-circular radiating design. The pillars and the spandrel design are French.

This website has been made possible through a generous grant from The Trillium Foundation

Iron Cresting Modillions or Paired Brackets Bay Quoins Dormer Belvedere Awning Modillions Balconette Paired Windows Cornice Return Cornice Return Campanile Pediments Pilaster Balustrade Balustrade Volute Dentils Bracket Extrados Intrados Arch Lunette Reveal Band Cornice Roundel Pediment Column Campanile Acroterion Frieze Corbelled Dentils Extrados Keystone Cornice Frontis Window Surround